He also took each page of the novel, pasted it in the center of a larger piece of paper, and made handwritten notes around the margins. Before filming began, he went through the entire story and dissected each scene in advance, including possible pitfalls to avoid, key imagery elements, the 1940s period setting, pacing, etc. It's Coppola's "bible" he constructed when making The Godfather. I stumbled across this yesterday and bought the Kindle edition: > Regarding Michael leaving the bathroom, I still think we were supposed to believe he chickened out. Then he turns on McCluskey, who doesn't seem to realize he's in danger until Mike points the gun at him, and shoots him. Sollozzo does indeed have sharp reflexes and jerks away, but Mike is quicker and gets him with one shot. After a few moments he whips out the gun and shoots Sollozzo, knowing he's the younger and quicker of his two victims and he'd better get him first. I guess that was the effect the train noise in the movie is supposed to achieve. that he can't understand anything Sollozzo is saying, it's gibberish to him. So he sits down at the table and Sollozzo starts talking again, but Mike is so. First, despite Clemenza's instructions to him to just shoot them the moment he comes out of the bathroom, he doesn't - some instinct warns him that they're on guard and that if he draws out the gun at that moment he'll be cut down instantly. There's no train in the book, but when he comes out of the bathroom these things happen. My condensed excerpt is all from before Mike's trip to the latrine. > I thought it was interesting that in the movie, Sollozzo says about five sentences after Michael comes out of the bathroom before the sound of the train drowns out his voice I don't ask for your cooperation but do ask that you don't interfere." reply share Cease all hostilites until your father is well again and can negotiate for your Family. If this quarrel continues your Family will stand alone. I have the silent support of all the New York Families. ![]() Drugs are the coming thing and by refusing to cooperate he stands in the way. "I have great respect for your father, but he's an old-fashioned man. ![]() Paraphrased and condensed, Sollozzo says this. I had intended to type it in here but it's far too long for that. Aside from musical terms I don't know the language so I couldn't say. I wonder if an Italian would naturally choose those words to express those ideas, or if they did it this way so the audience would have some idea of what Sollozzo was saying. Like strntz, I picked up some words here and there that I could understand. Well, that transcriber didn't seem to be claiming it was a good translation. What I want - what's most important to me - is that I have a guarantee: No more attempts SOLLOZZO (after the waiter brings McCluskey's veal, then exits) [Sounds like, in Italian: "What happened to your father was business - I have much respectįor your father - but your father - his thinking is old fashioned. (then, after the waiter nods, opens the bottle and pours the wine) I don't think his translation is quite right, most of it is tagged "sounds like." Anyway, here it is, for what it's worth: Here's the section with that conversation. ![]() The transcriber doesn't claim it's authoritative, but it seems to be accurate overall, at least the English language parts. reply shareĪfter I started posting on this board recently, I looked up an online copy of the script. You can gain some of the meaning through context (Apollonia's father was insulted because the two Sicilian bodyguards were obviously telling him that Michael saw a hot piece of ass and the father realized they were talking about his daughter). ![]() Still, for the whole segment where Michael was in Sicily, it became a bit annoying to always be wondering what they were saying. Actually the same rationale of wanting us to see the body language may apply here, and in any case, what they were saying was pretty obvious. When Luca Brasi is pretending to switch to the Tattaglia family, he and Solozzo speak in Italian. However, NO subtitles were used in the film for any Italian spoken. For the scene between Michael and Solozzo, just before Michael shoots him, the body language was critical, so I can understand why Coppola wanted the audience to focus on the faces of these two characters, and if he had added subtitles, they would be reading the subtitles, not looking at the faces. Coppola intentionally omitted to include subtitles.
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It was a cumbersome workflow at a crucial juncture in the process, and I know many photographers wrote off the iPad as a result, asserting (very reasonably) that it was too much of a hassle to be worth it.Īpple has opened up file management significantly since then, not only allowing Adobe to build the direct import flow we’ve always wanted, but also allowing for external storage devices to be used across the operating system. You had to first import photos to the native Photos app, pull them into Lightroom from there, and then delete the redundant copies in Photos to save space. In the past, it was impossible to do something as simple as import photos directly into Lightroom on an iPad. The most impactful changes have been the ones that pertain to the handling of files. The net result for photographers is that working on an iPad feels more like working on a Mac than ever before, with the added benefits of a more versatile form factor, more flexible input options, better battery life, and support for LTE. We’ve gained the ability to directly import photos into Lightroom, we have cursor support built in, we have a desktop-class web browsing experience, we can connect to external displays, access and use external storage, and the hardware line-up is more diversified and generous with functionality across the price spectrum. Send me the roundup » The New iPad Landscapeįor photographers, the iPad experience of 2020 is almost unrecognizable compared to where it used to be. Our team here at The Sweet Setup put together a short list of our must-have, most-used apps for taking and editing photos on iPhone and iPad. ![]() We spend an inordinate amount of time sorting through hundreds of apps to find the very best. Preproduction and Using an iPad During a Shoot.It needn’t do so entirely - I’m happy to continue using my desktop-based collection of apps when I’m at home and need their specific capabilities - but I should feel confident taking nothing but an iPad with me when I head out on a shoot or take my next trip. The ideal scenario is to be able to trust the iPad to replace a laptop as my daily photography companion. To be practical, an iPad photography workflow has to encompass everything from shooting, importing, culling, editing, and the final export. Happily, many of the updates feel custom-tailored to the needs of photographers using an iPad, and as someone who’s inhabited that role for years now - I haven’t owned a laptop in nearly a decade - I’m thrilled. ![]() It’s also clear that they would like to welcome additional kinds of users into the fold - including those who have more demanding workflows. Their answer, which we’re finally seeing take shape, is that the iPad is meant to be the center of a modular computer system that adapts to the needs of its users. ![]() When we first published this guide in early 2018, the iPad was still emerging from the doldrums of an identity crisis.įor years, it seemed Apple wasn’t sure what they wanted it to be: a serious computer for “real work”, a basic consumption device, an artist-focused creative tool, or even something in between. ![]() The single arrangements are presented in the keys of C and Eb. ![]() Lyrics begin with, “Lord, you have come to the seashore, neither searching for the rich nor the wise, desiring only that I should follow…LOWER INTERMEDIATE, ALL HARPS.Īrrangements by Angi Bemiss are easy to read, easy to play and well loved by many harpists and harpers. Lilting 6/8 rhythm, each hand generally plays one note at a time as opposed to chords. The C version requires full range lever harp, the Eb version can be played on a 32-string lever harp with E as the lowest note. He is also director of the seminary’s sacred music program.From OCP Publications, this popular Spanish Catholic hymn is presented in 2 keys: Eb and C. Hawn is distinguished professor of church music at Perkins School of Theology. * Translation © 1989 The United Methodist Publishing House (administered by The Copyright Co., Nashville, Tenn.). Carlton Young cites evidence in his Companion to The United Methodist Hymnal (1993), that the hymn has been translated into more than 80 languages. Gabaráin, himself, knew the lake well as he frequently accompanied groups of pilgrims to the Holy Land.” Gabaráin’s obituary noted that he “would simply smile when guides in Palestine boasted that ‘Pescador de Hombres’ was composed along the shores of Lake Tiberias, when, in fact, it was written in Madrid. This hymn was used in the 1993 movie Alive, based on a book about the survivors of the Andes plane crash in 1972, and the Spanish film Camino (2008), about a girl who died of spinal cancer in 1985 who is in the process of canonization by the Catholic Church. The gentle melody, PESCADOR DE HOMBRES, is reminiscent of a rocking boat by the lakeshore. The refrain is a call to surrender to Jesus in response to his command to follow him. The hymn entreats us to follow Christ with the same obedience and commitment. ‘Come, follow me,’ Jesus said, ‘and I will send you out to fish for people.’ At once they left their nets and followed him.” (Matthew 4:18-20, NIV) They were casting a net into the lake, for they were fishermen. Written in 1979, “Tú has venido a la orilla” (the Spanish opening line) is based on the parallel passages found in the synoptic gospels on Jesus’ calling of his first disciples (Matthew 4:18-20 Mark 1:16-20 Luke 5:1-11).Īs found in the Scripture, Gabaráin captures the total obedience of disciples and their willingness to give up everything: “As Jesus was walking beside the Sea of Galilee, he saw two brothers, Simon called Peter and his brother Andrew. ![]() Of his four hymns in the UM Hymnal, “Pescador de Hombres” (“Fisher of Men”), the original Spanish title, is the most popular and indeed, one of the more popular newer hymns in the hymnal. His ministry to cyclists is legendary, taking so many tours with them that he became known as “priest of the cyclists.” In addition to spending many summer vacations ministering to cyclists participating in the Tour de France, he also performed a similar role with well-known soccer players in Madrid. As a parish priest he was known for his athleticism and work with young people. In addition to his theological education, Gabaráin studied journalism and musicology. cities to conduct workshops in conjunction with OCP (Oregon Catholic Press). He died of cancer in Antzuola in 1991, after touring 22 U.S. Gabaráin later served in parish ministry in Nuestra Señora de las Nieves (Our Lady of the Snows) and was head of religious education in the College of San Fernando. After two years he returned to the chaplaincy in the College of the Marist Brothers, this time in Madrid, where he began to compose. In 1964, he continued his ministry as chaplain at Fundación Zorroaga, a nursing home in San Sebastián. He then served as chaplain of the College of the Marist Brothers of Antzuola in his home province of Gipúzkoa. In 1952 he continued his education at Seminario Mayor of San Sebastián, near his hometown, and was ordained to the priesthood at San Sebastián on Dec. Pope John Paul II (1920-2005) appointed the priest Chaplain Prelate of His Holiness.Īt age 10 Gabaráin entered the minor seminary in Zaragoza, where he began his musical studies. He is the only Roman Catholic composer to receive the honor of a Gold Record (at least 50,000 copies) in Spain. Gabaráin’s hymns were recorded on 37 albums, the last completed posthumously. He was inspired by the feelings and actions of the humble people he met during his ministry. Monseñor Cesáreo Gabaráin (1936-1991) was one of the best-known composers of Spanish liturgical music following the reforms of the Second Vatican Council (1962-65). Now my boat’s left on the shoreline behind me O Lord, with your eyes you have searched me, ![]() Looking neither for wealthy nor wise ones ![]() Definitely worth having for Hard Difficulty. If you beat it, you’ll get Summon Materia for Ramuh, a powerful god of thunder. I would also advise that you do Chadley’s combat simulation battle during Chapter 1 against Ramuh. As such, during this first phase of our FF7 INTERmission Trophy Guide, your main focus will be to complete the story.Īlong the way, it’s advisable to collect all of the Happy Turtle Flyers and become the Fort Condor Grandmaster, but you will have a second opportunity to earn those during your Hard Difficulty playthrough in phase two of this FF7 INTERmission Trophy Guide. ![]() You are eventually going to need to beat the game and become a Fort Condor Grandmaster on Hard Difficulty but to unlock that you must beat this side-story on a standard difficulty first. ![]() Phase One – Collect Turtle Flyers, Become a Fort Condor Grandmaster, and Complete the Story on any Difficulty To access the INTERmission DLC once purchased, press at the Main Menu to switch over. Through this FF7 INTERmission Trophy Guide, I hope to help you top up your Final Fantasy VII Remake Platinum with a 100% completion!ĭon’t own the FFVIIR Platinum already? Check out our Final Fantasy VII Remake Trophy Guide right here! Final Fantasy VIIR INTERgrade with improved visuals on PlayStation 5! Joining it, there’s an all-new PS5-exclusive two-chapter DLC story featuring Yuffie called INTERmission. Wolfenstein Cheats and Achievements: Key Achievements and Cheats for Wolfenstein ![]() Loud explosions are later heard with visuals of stylized electrical arcs and Jackson dancing as they run down his body. The music video for "Give In to Me" features Jackson performing the song on stage at an indoor rock concert with ex Living Colour bassist Muzz Skillings, Guns N' Roses guitarists Slash and Gilby Clarke, as well as the band's touring keyboardist Teddy Andreadis and legendary session drummer Tony Thompson. The music video is a performance-style live-action concert. Entertainment Weekly editor David Browne praised Jackson's delivery, writing, "when his voice isn't competing with drum machines, it's menacing on the creepy "Give In to Me" (his best-ever shot at hard rock)." In his weekly UK chart commentary, James Masterton said, that with " Who Is It" and " Black Or White", the single "is one of the few tracks on the album that represent Jackson at his very best and not stifled by machines." Alan Jones from Music Week described it as "a moody ballad which unfurls slowly before reaching a fine climax, neatly juxtaposed by Slash's wailing guitar solo." He added that it "will be a substantial and deserved hit." Alan Light of Rolling Stone felt that "Give In to Me" "flirts with something more disturbing as Jackson sings, "Don't try to understand me/Just simply do the things I say" in a grittier, throaty voice while Slash's guitar whips and soars behind him." Music video "Give In to Me" received positive reviews from contemporary music critics. Stylistically, "Give In to Me" is a hard rock and heavy metal ballad. ![]() It has a moderately slow tempo of 87 beats per minute. This song is written in the key of E minor. The single release's B-sides include the album versions of " Dirty Diana" and " Beat It". The single was released in Europe, Australia and New Zealand only. Some suggest that the song has an aggressive sexual flavor. The track features Guns N' Roses guitarist Slash, who also had solos on " D.S.", "Morphine" and "Privacy". Released in February 1993, the song peaked at number one in New Zealand for four consecutive weeks and at number two on the UK Singles Chart. " Give In to Me" is a song by American recording artist Michael Jackson, released as the seventh single from his eight studio album, Dangerous (1991). Single by Michael Jackson featuring Slash ![]() For all other users, Hedge should have mailed you an upgrade coupon. If you bought EditReady after Divergent Media joined Hedge in August 2021, the new EditReady is a free upgrade. Ultimately the aim should be to make a high-quality working derivative of the RAW file that is easy to edit while offering as much flexibility as possible. That way, everything that is done with RAW files is intended to give you an accurate, ready-to-edit media file, that reflects the original shooting intent. EditReady’s RAW implementation goes to great lengths to use the camera manufacturer’s own RAW decoders, and decode video files using each specific cameras’ own Log format. How this is done depends on how the camera manufacturers have designed their RAW formats. RAW files need to be debayered first and foremost. The biggest problem is that are so many different RAW formats and various NLE and color grading platforms don’t always support some of them. With so many fast computers and hard drive solutions now on the market, RAW has become a lot more feasible format to work with. It allows you to transcode your footage to an editable format, and with this latest update, it can now handle RAW formats.ĮditReady supports the following RAW formats: EditReady RAWĮditReady has always been a useful piece of software for when your NLE didn’t support your camera’s codec or container. ![]() ![]() Canister has been transformative for LTO users, and now it supports Spanning – the ability to span file transfers across multiple tapes. The latest release, which is also the first new version of EditReady since it became part of Hedge, solves the problem of converting RAW footage quickly into an editable format.Ĭanister Spanning – Until Hedge released Canister, an easy-to-use, drag-and-drop interface and cataloguer for LTO, users were held back by an unfriendly, overly technical software experience. Hedge Elements is ideal for organizations that need their video files to conform to their organizational structures and procedures, whether ad hoc or rigidly formal.ĮditReady RAW– The popular, blazingly fast, and easy to use transcoding application now supports RAW video, including ARRI RAW, Codex HDE, ProRes RAW, and RED R3D, and Blackmagic RAW. Hedge Elements – Elements are Hedge’s term for the varied and customizable metadata that users can now associate (and keep) with a file to clarify the role of that file to other creative and technical professionals later in the workflow. These latest updates address common problems such as dealing with unorganized media that requires custom-built metadata fields, RAW transcoding, and ensuring individual media archives can span multiple LTO tapes. Hedge has updated all three of its major platforms. Log in with your Bowdoin credentials when prompted.Open Firefox, Chrome or Edge and navigate to.When prompted un-check "Allow my organization to manage my device" and click OK.If this option is not possible, then try using a URL. Once that has been verified, you can log in with your personal AzureAD credentials (which have been authorized). You will get connections such as a remote desktop based on Microsoft RDP. To connect to Azure Virtual Desktop via the Remote Desktop App an admin in Azure has to assign you to a workspace. If it isn't found, contact the Service Desk for assistance. Distance is never a problem if you have remote desktop client software with you. Open Search from the Start Menu to look for it. On most Windows computers, Microsoft Remote Desktop is already installed.Click on the one you want to connect to and enter your Bowdoin credentials when prompted.Enter your Bowdoin Email address and click Add.Click the plus ( +) icon at the top and choose "Add Workspace".Click on the Workspaces tab in the top right.Open the Microsoft Remote Desktop App you just installed.An article with directions on installing and using Self Service can be under the "Related Articles" section on this page.On personal computers download the "Microsoft Remote Desktop App" from "Self Service" (for faculty and staff) or the Mac App Store.There are no other 'spaces' open or defined besides the desktop and the full screen remote session when it is running. The Remote Desktop app is already installed on all Bowdoin owned user's computers and will be in the Applications folder as "Microsoft Remote Desktop" When I swipe up to view the spaces bar, it shows up there, but when I select it, it again immediately slides back to the desktop.You will be logged in and see the Desktop.Tap on any of them to connect and enter your Bowdoin credentials. ![]()
![]() – No longer uses fancy quotes in header/footer fields – Checking for unused assets and checking for which page is using an asset works for custom code in the header and footer fields now If you continue to get a crash when publishing with this version, please make sure to copy and paste the crash report to us so that we can take a look at it. – It includes debugging information for the crash some users are getting when publishing. – A fix for some changes not publishing, specifically the navigation bar when adding new/deleting/renaming pages that are included in the navigation bar – A fix for the video widget no working (make sure to make a small change to any page that uses the video widget so that it will be republished OR republish your entire site) – An updated PDF user manual (under the Help menu) – Should fix a problem where some widgets would not properly display their preview within EverWeb and only display a green ‘updating’ icon – Fixed a problem with background stretch images on Master pages not drawing properly – Fixed a bug in 1.8 where image sliders, video, audio, and many third party widgets would display file not found errors when published on OS X 10.7 and 10.8 Just a reminder that if you were experiencing issues publishing with 1.8, please use the Publish Entire Site option from the File menu. The full list of changes can be seen below. There are also new localizations for Japanese, Spanish, Italian, and German. Other fixes include a fix for certain widgets not being displayed properly when previewed, and a fix for the video widget. Download the new update from within the application by going to EverWeb > Check For Update, or by visiting EverWeb’s downloads page. We have also included an updated PDF user manual, which can be found under the Help menu. This new version (1.8.1) contains several fixes for many widgets which previously displayed a ‘file not found’ error message after publishing on OS X 10.7 and 10.8. We have just released an update to EverWeb. In fact, the new features coming in version 1.9 have already reduced the EverWeb website by 35% in file size and made it load significantly faster. We only include the styles and typefaces actually used with Google Font so they load fasterĪlong with the above, we have already implemented significant optimizations for the next version of EverWeb. We have an all new option to automatically optimize PNG files on export so they have a smaller size but the same image qualityĤ. ![]() We provide an option when importing PSDs, TIFFs and PDFs to convert them automatically to a web format, significantly reducing the file size and the time it takes a them to load in your browserģ. We only include jQuery when required by a widget you may be usingĢ. In EverWeb 1.8 we made a number of changes to make sure you website loads faster for you visitors ġ. ![]() We know that visitors hate slow loading website and that search engines can penalize your website for being slow.ĮverWeb already includes lots of features to help make websites load quickly, but we’re always working on more. The speed of your website is a top priority for us and an important indicator of the quality of your site. Maybe even without Tome Chambers, there’s a token shape that indicates a field where you can obtain a new skill - but if so, the connection is a lot harder to notice than it was in CS, where skills were always linked to permanent environmental features. Maybe they’re just assigned haphazardly, but I’m not quite willing to believe that. What does the shape indicate, then? I have no idea. Their function as dispensers of unlockables is taken by locked chests, but locked chests aren’t indicated by the shape of the token there are plenty of locked chests in fields with just the base token. But it doesn’t have Tome Chambers or Wizard Towers. Frostborn Wrath uses the three token shapes from Chasing Shadows (excluding the one for Vision fields), as well as a couple entirely new ones. (Usually adding more waves makes a field harder to beat, but in Wizard Tower fields, it buys you more time to destroy the locks.) I don’t think these meanings were ever explained explicitly, but it was an easy pattern to notice.įrostborn Wrath, now. Then there were trangular ones with a sort of spiral pattern to the slots, indicating a field with a Tome Chamber that teaches a new skill, and square ones with stripes, for Wizard Towers where you have to unlock certain mechanisms before the last monster wave to win and unlock other benefits. Vision fields had their special circular tokens with only one slot, shaped like flames. You had your standard triangular ones with a circular gem slot at each corner, for normal fields. How exactly a physical object grants you access to battlefields was left unexplained.Ĭhasing Shadows had four shapes of field tokens. But it also presented it as a literal token, a trinket that could be found in a locked chest or otherwise handed to you as part of your rewards on completing a level. Chasing Shadows turned these indicators into glowing gems held within holes in the frame. ![]() ![]() Gemcraft Chapter 0: Gem of Eternity, the second game, additionally used this frame to keep track of which play modes you had completed the field in, dividing it into segments and illuminating the ones completed. ![]() In every Gemcraft game except Labyrinth, battlefields are shown on the map as a sort of frame-like icon, usually in the same bulging triangle shape as a grade 1 gem. I’ve mentioned “field tokens” a few times, so let me explain what I mean. ![]() ![]() Its layer system could use a bit of updating, but it’s perfectly workable for simple non-destructive image retouching projects. GIMP offers an impressive array of fully customizable brush-based editing tools that are flexible and responsive, even when working on high-resolution images. You can add on as many fancy bells and whistles as you want, but if you don’t get these tools right, then you’re not really creating an image editor. Manual editing tools are the bread and butter of a good image editor. With that in mind, let’s take a closer look at GIMP and Paint.NET. ![]() In order to keep things nice and fair between the two programs I’m comparing, here are the categories that I look at for an image editor (and no, it’s not just about the tools!): Paint.NET: Which Is Best?īefore we dive into the comparison, I want to set a few ground rules. With that out of the way, let’s get back to the good stuff. I’ve tested and worked with almost every image editor available today, so you can trust my comparison reviews to be more than just useless fluff. I’ve been involved in the digital art world for over 20 years, and much of that time has been working as a photographer and graphic designer. My name is Thomas Boldt, and I’m the writer and image editing expert on the TGT team. I can understand why you might be a bit wary about these kinds of comparison articles since most of them seem to be written by bots – or at least by people who seem like they’ve never actually used any image editor for more than five minutes at a time. |